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Kei Hiruta’s Posts

Stop Orientalism?: On Boston MFA’s ‘Kimono Wednesdays’

By Kei Hiruta ‘STOP ORIENTALISM’. So says the banner of the protest group, ‘Stand Against Yellow Face’ (SAYF), campaigning against a weekly event at the Museum of Fine Arts (MFA) in Boston. The event, called ‘Kimono Wednesdays’, originally encouraged museum visitors to ‘interact’ with Claude Monet’s ‘La Japonaise’ by trying on a replica of the kimono… Read More »Stop Orientalism?: On Boston MFA’s ‘Kimono Wednesdays’

Historical Reconciliation in East Asia: How Optimistic Should We Be?

By Kei Hiruta In the latest episode of the Public Philosopher, Michael Sandel invites young men and women from China, Japan and South Korea to discuss national guilt and historical reconciliation. The conversation begins with factual questions concerning, for example, the nature of Japan’s past imperial expansion and the sincerity of the Japanese government’s post-war… Read More »Historical Reconciliation in East Asia: How Optimistic Should We Be?

‘Hello Kitty’, Society, Utopia

Several people have asked me why I wrote a post to defend Avril Lavigne’s music video ‘Hello Kitty’. I’m a little bemused by the question, as I thought my main motive was self-explanatory: it is a part of philosophers’ job to consider when it’s appropriate to use normative terms to blame someone or something. It’s one… Read More »‘Hello Kitty’, Society, Utopia

In Defence of Avril Lavigne: Racism, Cultural Appropriation and the Meaning of ‘Hello Kitty’

By Kei Hiruta

The latest music video by the Canadian singer Avril Lavigne has been accused of racism and cultural appropriation.[i] Bearing the name of the world-famous Sanrio character, ‘Hello Kitty’ shows the pop star singing and dancing in what appears to be a girl’s room in Tokyo. She also explores the city, shopping at a candy store, eating sushi, drinking shochu, and waving at her fans as she strolls in the fashionable Shibuya area. Throughout, she is accompanied by four young Japanese women, acting as backup dancers inside the room and following her outside.Read More »In Defence of Avril Lavigne: Racism, Cultural Appropriation and the Meaning of ‘Hello Kitty’

Two Cheers for Laughtivism

By Kei Hiruta  Political activists are laughing everywhere. They mock the powerful and ridicule the corrupt, whether the target is a Middle Eastern dictator, a North American CEO, or a recently deceased British Prime Minister. On the streets we see the comical and the absurd in service of a demand for greater transparency and accountability.… Read More »Two Cheers for Laughtivism