Stop that painting!
A painting thought to be by Peter Paul Rubens has been barred from export this week. The ban on selling it to a foreign buyer lasts until March, with the possibility of an extension, and is intended to give British museums a chance to raise the money to buy it. The committee which advises the government on which pieces of art should be barred from export must find a piece to be of high quality and to have a significant British connection, if it is to be barred. The British connection which allows this painting to qualify is that it has a wax seal on the back showing that it was in a British collection in the 1840s (it also has one showing it was in Venice in the early 1800s). Given that connection, how could Britain justify preventing the export of this painting?Read More »Stop that painting!