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There Is No Such Thing As A Purely Logical Argument

Written By Mette Leonard Høeg

This blogpost is a prepublication draft of an article forthcoming in THINK.

Etching by J.F.P. Peyron, ca. 1773

It is well-known that rational insight and understanding of scientific facts do not necessarily lead to psychological change and shifts in intuitions. In his paper “Grief and the inconsolation of philosophy” (unpublished manuscript), Dominic Wilkinson sheds light on this gap between insight and emotions as he considers the potential of philosophy for offering consolation in relation to human mortality. More specifically, he looks at the possibility of Derek Parfit’s influential reductionist definition of personal identity for providing psychological consolation in the face of the death of oneself and of others. In Reasons and Persons, Parfit argues that personal identity is reducible to physical and psychological continuity of mental states, and that there is no additional fact, diachronic entity or essence that determines identity; and he points to the potential for existential liberation and consolation in adopting this anti-essentialist perspective: “Is the truth depressing? Some might find it so. But I find it liberating, and consoling. When I believed that my existence was such a further fact, I seemed imprisoned in myself. My life seemed like a glass tunnel, through which I was moving faster every year, and at the end of which there was darkness. When I changed my view, the walls of my glass tunnel disappeared. I now live in the open air.”

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Can a Character in an Autobiographical Novel Review the Book in Which She Appears? On the Ethics of Literary Criticism

Wikimedia: https://commons.wikimedia.org/wiki/File:Book_review_(12213308404).jpg

Written by Mette Leonard Høeg

The common intuition in literary criticism, in art criticism in general and in the public cultural sphere is that it is wrong to engage in criticism of a work if you have a personal relation to its author. The critic who reviews the book of a friend, a professional contact or a former lover is biased and could draw private benefits from this, have ulterior motives of revenge or social/professional advancement. It is the convention in literary criticism to strive for objectivity in the assessment and review of a work, and the critic is generally expected to refrain from referencing personal experiences and using private and autobiographical material, in order to be considered professional, expertly and ethically responsible.

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The cold equations of ethics

Cory Doctorow has written a thoughtful critique of two science fiction stories and how they might promote short-sightedness and morally bad behaviour. If one thinks science fiction is good for teaching us to think about the future (or literature in general about the world), is there a moral responsibility of authors to avoid moral hazard? And if that is true, what about ethicists coming up with thought experiments?Read More »The cold equations of ethics