Reflective Equilibrium in a Turbulent Lake: AI Generated Art and The Future of Artists
by Anders Sandberg – Future of Humanity Institute, University of Oxford
Is there a future for humans in art? Over the last few weeks the question has been loudly debated online, as machine learning did a surprise charge into making pictures. One image won a state art fair. But artists complain that the AI art is actually a rehash of their art, a form of automated plagiarism that threatens their livelihood.
How do we ethically navigate the turbulent waters of human and machine creativity, business demands, and rapid technological change? Is it even possible?
Censorship, pornography and divine swan-on-human action
The Prime Minister has declared that Internet service providers should by default block access to pornography, and that some “horrific” internet search terms to be “blacklisted” on the major search engines, not bringing up any search results. The main motivation of the speech appears to be that access to pornography is “corroding childhood” by having children inadvertently seeing images or visiting websites their parents do not want them to see. There is no shortage of critics, both anti-censorship groups, anti surveillance groups, technology groups and people concerned with actual harm-reduction. There are two central problems: defining pornography, and finding its harms. Continue reading
Why a painting is as good as a photo on a passport
Fredrik Saker, a Swedish artist, is in the news this week for having successfully applied for a driving licence using a photograph not of himself, but of a self-portrait painting. It is interesting to consider, in the light of this, what is so special about photographs. Why do agencies that issue documents featuring images of their bearers – like driving licences and passports – require applicants to submit photographs? Is there any good reason not also to permit self-portrait paintings, drawings, or any other sort of artistic creation? Continue reading
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